Linguistics

The origin of the literal translation of Athanasius of Alexandria’s “Orationes contra Arianos” in the manuscript of Gavrilo Stefanović Venclović’s ‘Razglagolnik istinogo života’ Scripta & e-Scripta vol. 21, 2021 floyd Fri, 11/19/2021 - 15:05
Оригиналът на литертурния превод на Orationes contra Arianos от Атанасий Александрийски според ръкописа на Razglagolnik istinogo života’ на Гаврило Стефанович Венцлович

The author compares the marginal glosses in the book of Epifanij Slavinetskij’s Sbornik perevodov, 1665, with the text of Athanasius’ Third Oration against the Arians in Gavrilo Venclović’s Razglagolnik, 1734. The marginal glosses in Epifanij’s Russian Version are taken from a South Slavonic manuscript that has a common origin with the protograph of Venclović. The Orationes contra Arianos in Razglagolnik are written in South Slavonic koine and their source has the features of an Athonite translation related to the Council of Ferrara-Florence and the disputes over the filioque.

Subject: Slavonic translations Philology Linguistics palaeoslavic studies Keywords: ATHANASIUS OF ALEXANDRIA Epifanij Slavinetskij Gavrilo Venclović Razglagolnik
The Christological Cycle in the Naos of the Prophet Elijah Church (1550) in Sofia: Non-Traditional Elements and Athonite Influences Scripta & e-Scripta vol. 21, 2021 floyd Fri, 11/19/2021 - 15:00
Христологичният цикъл в наоса на църквата „Св. пророк Илия“ (1550 г.) в София: нетрадиционни елементи и светогорски влияния

The paper is a continuation of the article “The Last Judgment Scene in the Prophet Elijah Church (1550) in Sofia: Untraditional Elements and Athonite Influences” (Rousseva 2020) and analysed the frescoes in the naos of the church. There is a problem with the overall iconographic programme in the naos: the obligatory scenes illustrating the Annunciation, the Transfiguration and Pentecost are absent, but there are illustrations in separate scenes of secondary and rarely encountered episodes. The scenes in the naos provide a wide field for interpretation, as it is ‘mediate’ between the art of Macedonia of the 14th–15th century and the art of the Cretan school of the 1530s and the 1540s. Beyond the large monasteries of Mount Athos, the island in the Lake of Ioannina and the Meteora, the murals in the Iliyantsi are among the first where the “new” scenes and images are interpreted, and in some respects, the first monument, e. g the kneeling Virgin in the scene of the Nativity, the Flagellation, The Apostles at the Grave has been included. For the first time in a Bulgarian church are illustrated the Sundays of the Pentecostarion. Of the works published so far, the scene Christ expels seven demons from Mary Magdalene is the earliest example in Balkan art. There are visible similarities of the scenes in the naos with the later examples, the work of the atelier of St Pimen. His teacher, Tomas, could possibly have worked at the church in Iliyantsi.

Subject: Philology Linguistics palaeoslavic studies Keywords: Iliyantsi monastery Post-byzantine art MOUNT ATHOS Cretan school Passion cycle St Pimen of Zograph

Bilingual dictionaries on Hippolytus’ De Christo et Antichristo – problems, approaches and solutions

Двуезични речници на De Christo et Antichristo от Иполит Римски – проблеми, подходи и решения

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Meta-Terms of the Euthalian Apparatus in Old Church Slavonic Acts and Epistles Manuscripts from the 12th– 16th centuries

Maria Novak. Перевод метатерминологии аппарата Евфалия в древнеславянских списках Апостола XII–XVI веков

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On the Interpretation of the Liturgy from the South Slavic Manuscripts RGADA 88 and Bogišić 52

За Тълкувание на литургията в южнославянските ръкописи РГАДА 88 и Богишич 52

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Healing Practices Performed by St. Gregory of Agrigentum in his Vita by Leontius

Лечебните практики, прилагани от св. Григорий Акрагантийски в неговото житие от Леонтий

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On the Copies of the Russian Chronograph in Bulgaria

За преписите на Руския хронограф в България

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Daily Life and Religion: The Vienna Euchologia Project

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