The article draws attention to two lesser known lines written in Glagolitic which are part of the Epilogue to Pamvo Berynda’s Triod Cvetnaja, printed in Kiev in 1631. Thanks to their typographic realisation, these two lines seem to have been mainly considered „an ornament“ or a „cryptographic“ element of the text in older literature. The article presents the Glagolitic text in standard Unicode encoding, so it becomes electronically searchable as such, along with a transliteration and a translation. It turns out that the Glagolitic text is nearly identical to the self-descriptions famout printer Pamvo Berynda had used before (although in Cyrillic). Another question put forth in the paper is the provenience of the actual printing types used in Kiev in 1631. A comparision shows that the letters look similar – but not identical – to printing type used around the same time Italy (Rome, Venice) or by Primož Trubar in the century before. The typographic quality of the Kievan types is, however, inferior.