Hymnography

Иерархическая модель гимнографической терминологии: дигитальное приложение Scripta & e-Scripta vol. 18, 2018 floyd Fri, 12/28/2018 - 07:33
A Hierarchical Model of the Hymnographic Terminology: Digital Application

The article provides metadata on the descriptions of hymnographic terms exposed on the Scripta Bulgarica electronic portal (http://www.scripta-bulgarica.eu). The purpose of the analysis is to take the first step towards building a detailed digital ontology of all hymnographic terminology for the needs of specialized web products. All the hymnographic concepts included in the portal are arranged in a hierarchical system which comprises as well some of the most closely related concepts of other kinds (generally liturgical and literary). The selection of terms involves several of the basic musical and musicological hymnographic concepts too, but focuses on the verbal side of the chants. The proposed hierarchical model is based on two types of relationships: category/subcategory and whole/part, the second of which ranks the hymnographic terminology in five levels from the highest (Books) to the lowest (Genre components).

Subject: Hymnography Terminology Classification Hierarchy Category-subcategory Whole-part Scripta Bulgarica Language and Literature Studies Theoretical Linguistics Applied Linguistics Studies of Literature Philology Translation Studies
The Ideological Use of Biblical Motifs and Quotations in the Canon on the Translation of the Relics of St. Clement of Rome Scripta & e-Scripta vol 5, 2007 floyd Mon, 12/24/2007 - 17:53

The hymn devoted to the finding and the subsequent translation of the relics of Saint Clement of Rome shows a double interest: it is one of the earliest hymnographical compositions in Old Church Slavonic, and it contains clearly ideological elements. The relics of Saint Clement, third Pope after Saint Peter, played a main role in two important periods of the christianisation of the Slavs: the mission of the byzantine brothers Constantine-Cyril and Methodius in Moravia (863–869), and the baptism of the Rus’ian prince Vladimir in 988. Therefore, the study of the canon on the translation of the relics of Saint Clement can provide us a valuable evidence of the ideological use of biblical motifs and quotations. Several scholars con¬sidered a newly discovered Russian version of the hymn as the work composed by Constantine the Philosopher on the occasion of his finding of the relics in 861. On the contrary, the Russian historian E. V. Uxanova, basing on the ideological use of biblical quotations, came to the conclusion that such hymnographical composition would have a Russian origin, dating from the period of the christianisation of the Kievan Rus’. In this article, we will show how a careful rereading of those biblical motifs and quotations don't allow us to support either of these hypothesis

Subject: Literary Texts Biblical quotation Hymnography St. Clement of Rome St. Cyril (Constantine) the Philosopher
Submitted on Tue, 10/10/2006 - 12:07

Middle Bulgarian Fragment NBKM No 114 in the History of Old Church Slavonic Office Menaion

Среднеболгарский фрагмент НБКМ № 114 в истории переводов славянских служебных миней

  • Summary/Abstract

    In the article the history of the translations of the service minei in the Slavonic tradition by 14 Slavonic manuscripts is examined. Manuscript CMNL № 114 is analyzed, a fragment of a service menaion from the 13th century, Bulgarian by origin, where the oldest translation is presented. The comparisons with another service menaia – from the Monastery of Dechany, No 32 from the 13th – 14th century, show that the oldest translation has been subject of reediting. The presence of another independent translation is established in manuscripts No 114 CMNL, a fragment from the 13th century and No 1/5 OSL (part of the Dobriayan minei) from the 13th century, which does not coincide with the earliest translation, nor with the one that exists in the South-Slavonic menaia from the 14th-15th century by the Jerusalem regulations. Grounded is the view that every hymnographic genre (tropar, stihira, sedalen, condac and icos, canon and each separate tropar of the canon) in the structure of the service should be studied separately in the context of the history of the translations of the service menaia, which will allow us to clarify the amount of the multiple translations. The examined material shows that the advent of the latest “Athos” translation of the service menaion, based on the Jerusalem regulations, is preceded of new translations of separate services (or parts of them), done in the 13th century, without relying on those regulations. Regarding the multiple translations of one and the same text (the Service for the first-martyr Stefan has four translations), it would not be correct to talk about “first” (early) and “second” (late) translation of the service menaia (definitions of V. Jagich), as each service has its own story of the text. Enclosed is a critical edition of parts of the services for the second and third of August – condac and icos of the Service for first-martyr Stefan, as well as fragments of the canon for the Venerable Dalmat, Isakay and Favst, parallel with the Greek text, accompanied with a detail commentary.

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