Inserted in the image

L’espace iconique ( inscription et transfiguration: La rhétorique paradoxale de l’image sacrée à l’age post-byzantine Scripta & e-Scripta vol 3-4, 2006 floyd Tue, 10/10/2006 - 11:20
The Iconic Space – Inscription and Transfiguration: the Paradoxical Rhetoric and the Sacred Image in the Post Byzantine Epoch

The paper examines the treatment of the story through the language of the image in one of the most interesting churches in Moldavia (Romania) – Sucevitsa, as it tries to give more general conclusions about such kind of transcriptions in the proto-Byzantine epoch. As a matter of principle, the abundance of inscriptions, inserted in the image, contains a strong rhetoric connotation. In the first part of the study, the subject of the research is the epigraphic verbosity in the image, as a guarantee of narrativeness – in this way the inscription is examined as a means of narrativeness. The question of the discourse of the image, however, turns into a problem for the iconicity of the written material – the text goes beyond the framework of the narrative in order to turn itself into an iconic sign. Even more paradoxical is this problem in the epoch of the hesychasm – then comes a tension caused by the discursiveness of the sacred image and the hesychast requirement of silence.

Fine Arts // Performing Arts // Sucevitsa - Moldavia (Romania) // Church monumental art of 17 c // Transcriptions in the proto-Byzantine epoch // Inscriptions // Inserted in the image //
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